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Developing Plotline: II Subplots
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Vatman Offline
Foreplay in Ink

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Post: #1
Developing Plotline: II Subplots

A very useful tool in storytelling is the distribution of subplots within the story. Now subplots, as you can plainly guess, are smaller plots that are not directly connected to the main plot, that big picture that we have been talking about in our first lecture.

But why would you make smaller story's inside a story, when the point of a story is to get a point across?

"It's a little like sex," says Thomas Hunt rather disingenuously, "in order for it to work it has to have a certain familiar structure in the sense that we need to roughly know where we are going and what we should expect on the way there. It really does not matter if the payoff is exactly what we expect or something that totally surprises us or even disappoints us. What is important is that the tropes work in such way that they achieve two things:

1. They prepare us, mentally and psychologically, for the journey ahead

2. They make us, through the process of subconscious expectation and mental and psychological preparation, whole-hearted participants to the enterprise. Then the novel becomes a shared journey of discovery between the author and the reader and a masterpiece is born.

Storyline divides "subplots" into two types: Those that run parallel and don't really affect each other Dramatically, and those that are dramatically hinged together.

An example of parallel subplots can be found in Woody Allen's "Crimes and Misdemeanors" in which the "Crime" story with Martin Landau and the "Misdemeanor" story with Woody Allen never really affect each other.

The purpose of having these two stories in the same "work" is for the audience to be able to compare two completely different issues that share a common cultural concern. In "Crimes and Misdemeanors," it is the differential created between them which provides a social message that extends beyond the meaning found by either of the two Main Characters.

An example of a hinged subplot can be found in the original "Star Wars." Han Solo's debt to Jaba the Hutt is a story in its own right with Han as the Main Character. This subplot eventually comes to have change the course of the plot in the main story.

The purpose of having a subplot may be two-fold: 1: to enhance a character, theme, plot, or amplify part of the genre of the "work" and/or 2: to move the course of the main story in a direction it could not dramatically go in and of itself.

In "Star Wars," Han Solo is initially uncooperative and refuses to get involved in the efforts of Obi Wan or Luke. For example, when the group first arrives on the Death Star, Han wants to fight, not to hide in the room while Obi Wan goes off. But when Luke discovers that the princess is on board, Han wants to wait in the room and not fight. It is his nature.

So, how do we get Han to join Luke in the rescue attempt? We invoke Han's subplot. Luke tells Han, "She's rich," and Han is already hooked. But if there were no Jaba subplot, the money alone would not be enough to convince the uncooperative Han to "walk into the detention area." On the other hand, since Jaba has put a price on Han's head, he's dead already unless he can come up with the money, and this is probably the only chance he's going to get to do that.

As a result, Han joins the plan, acting completely against what his character would do dramatically in the main story but in complete consistency with his personal needs (which are more important to him) in his subplot.

Use both the parallel and hinged subplots to enhance your story's depth and move it in directions it could not legitimately go with only the main plotline!

Now to those who wish to complete the assignment, I will give another very simple one. Read the short story The Use of Force by William Carlos Williams, and identify any use of hinged or parallel subplots.
( )

Some cupid kills with arrows, some with traps.
03-18-2008 02:32 PM
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The Desert Fox Offline
Waging war with conviction

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Post: #2
Re: Developing Plotline 2 (Subplots)

I love it.

Hidden stuff:
(11-27-2011 01:00 PM)psychopath Wrote:  
(11-27-2011 10:52 AM)Efs Wrote:  Our Army is more professional than Amerika. Smile
Except ours isn't allowed to have guns
CrayolaColours Wrote:That post owned. TDF wins post of the year.
Faby Wrote:
krissy Wrote:dessert fox
Mmm, flambéed vulpine.
"There is no enemy, there is no victory, only boys who lost their lives in the sand."
09-06-2009 06:04 PM
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IllusoryDeath Away
~become away~

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Post: #3
Re: Developing Plotline 2 (Subplots)

The Desert Fox Wrote:I love it.
09-07-2009 12:33 AM
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Rebelnerd Offline

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Post: #4
Re: Developing Plotline 2 (Subplots)

Jabba the Hutt has two b's.

[/irrelevant nitpick]

I think Buenaventura Durruti is a pretty cool guy. eh kills fascists and doesnt afraid of ruins.
The quickest way to kill a revolution is to wait for it.
09-07-2009 02:17 PM
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IllusoryDeath Away
~become away~

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Post: #5
Re: Developing Plotline 2 (Subplots)

Rebelnerd Wrote:Jabba the Hutt has two b's.

Epic win. I hate using the word 'epic' simply because it is so overdone, but you sir deserve it. ;D
09-08-2009 09:57 AM
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Geeksta Offline

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Post: #6
Re: Developing Plotline: II Subplots

Vatman, there are no words in the world to describe how much I appreciate this.

Freedom is never given; it is always taken. So for the fact that you're not a slave, don't thank those in authority. Thank someone with a "bad attitude."
-Kevin Carson

sexual abuse of sheep is baaaaaaaaad

School brings us together, but it doesn't bring us together

We lost Vietnam cuz we didn't train our soldiers to quickscope.
-gore goroth
04-02-2011 11:21 AM
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